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HELLO@THOMASLEPROVOST.COM — TO SEE EVEN MORE GO TO YOUR COMPUTER — HELLO@THOMASLEPROVOST.COM — TO SEE EVEN MORE GO TO YOUR COMPUTER — HELLO@THOMASLEPROVOST.COM — TO SEE EVEN MORE GO TO YOUR COMPUTER — HELLO@THOMASLEPROVOST.COM — TO SEE EVEN MORE GO TO YOUR COMPUTER — HELLO@THOMASLEPROVOST.COM — TO SEE EVEN MORE GO TO YOUR COMPUTER — HELLO@THOMASLEPROVOST.COM — TO SEE EVEN MORE GO TO YOUR COMPUTER — HELLO@THOMASLEPROVOST.COM — TO SEE EVEN MORE GO TO YOUR COMPUTER — HELLO@THOMASLEPROVOST.COM — TO SEE EVEN MORE GO TO YOUR COMPUTER — HELLO@THOMASLEPROVOST.COM — TO SEE EVEN MORE GO TO YOUR COMPUTER — HELLO@THOMASLEPROVOST.COM — TO SEE EVEN MORE GO TO YOUR COMPUTER — HELLO@THOMASLEPROVOST.COM — TO SEE EVEN MORE GO TO YOUR COMPUTER

Welcome — loading might take some time — between 20 and 50 seconds during the first visit — sit back and relax — turn on the full screen mode — get prepared for some scrolling — if you’re reading it means that you’re still waiting — now your patience is probably exceeding the highest limits of tolerance — however you’ve never been closer to the discovery of this website’s content — let me then propose you to take a moment and think about your place in the society — you can also send me some insulting messages for all the time you lost in here — send it to the following address : hello@thomasleprovost.com — you can click on this email but the time you’ll spend on reading this sentence is too long — now the link disappeared — I hope that no one reached this point because now it gets really long — I thank you for your patience — Thomas
Bienvenue — le chargement peut prendre un peu de temps — entre 20 et 50 secondes la première visite — asseyez vous donc confortablement — mettez votre écran en full screen — et préparez-vous à scroller — si vous lisez ceci c'est que vous êtes toujours en train d'attendre — votre patience commence sûrement à toucher ses limites — pourtant vous n'avez jamais été aussi proche de découvrir le contenu de ce site — je vous propose donc de prendre un moment pour vous questionner sur votre place dans la société — ou vous pouvez également m'envoyer un message d'insultes pour le temps que vous venez de perdre, à l'adresse suivante : hello@thomasleprovost.com — ce mail est un lien cliquable mais le temps que cette phrase défile il aura surement disparu — en espérant que personne ne lira cette phrase je vous remercie de votre patience — Thomas

THOMAS LE PROVOST


I'm a french graphic designer based in Lausanne, Switzerland. I graduated from ECAL University of Art and Design in 2017. My practice explores creative methods through the use of mix between old and new media expressed in many various fields like editorial design, visual identity, digital design, 3D, poster, video and more. Feel free to get in touch if you’re interested in collaboration. © 2018

CURRICULUM


2017   Teaching Assitant at ECAL, Lausanne
2017   Graduate from ECAL, Lausanne
2016   Intern at John Morgan studio, London
2015   Intern at Roosje Klap, Amsterdam
2014   Graduate from LTAA A. Renoir, Paris
2013   Intern at Dépli design studio, Paris

CONTRIBUTIONS


2018   Swiss Design Awards, Basel
2018   Offline Magazine Issue 4
2017   ECAL Graphic Design, Zurich
2017   ECAL Graphic Design, Mexico
2017   Biennale du Design Graphique, Chaumont
2017   ECAL Graphic Design, San Francisco
2017   It's a Book, Art Book Fair, Leipzig
2016   ECAL Graphic Design, Basel
2016   Offline Magazine Issue 3
2013   Avant Après, Revue typographique

CONTACT


hello@thomasleprovost.com
+41 77 480 55 44    CH
+33 66 671 99 12    FR
Instagram

OUTREMONDES

Outremondes is a scientific novel written by Tom Volastrophes. It aims to awaken reader’s curiosity about the surrounding world and its laws through the prism of science. The story unfolds through the variety of scientific diagrams narrated by (sometimes very doubtful) conclusions proposed by the professor. The text oscillates between fiction and reality, science and belief, boundaries which happen to be narrow and porous when it comes to rely on the edge of our knowledge.


— Website

— Order

— 130 × 200 mm

— 184 Pages

— 150 Copies


INTRAMONDE

Intramonde aims to introduce the subject of quantum physics to those who are not familiar with it. The visual and conceptual structure of the book is designed analogically with the central principle of quantum physics which represents the law of fate. Each model contains a unique sequence of images, layouts and illustrations due to the algorithm scripting, hence every book is non-identical.


— 200 × 280 mm

— 360 Pages

— 20 differents copies

OMENS

OMENS is a multidimensional report published by The Centre for Study of Existential Risk at the University of Cambridge. The project brings together a selection of research articles on subjects dealing with Extreme Risks and the Global Environment, Risks from Biology : natural and engineered, Artificial Intelligence, Systemic Risks, and Fragile Networks. The introduction of different risks contemplates a broader spectrum of humanity’s existence. The book is accompagnied by augmented reality application.


— 210 × 297 mm

— 96 Pages

— 3 Copies

OSR

Visual identity proposition for the 100th year celebreating Swiss Roman Orchestra. It comprises various communication supports which annonce the event and the different concerts during the year.


ISS

ISS is a book about the International Space Station. It recapitulates the One Year In Space mission during which the american astronaut, Scott Kelly, went to space for 342 days, while his twin brother Mark stayed on earth. Every page of the book corresponds to one day. The book is accompagnied by augmented reality application.


— 220 × 310 mm

— 352 Pages

— 1 Copies

BLACK TO THE FUTURE

KOSOVAR

Typeface design inspered by the visual codes specific to the culture of Kosovo.

FELICIDAD

Graphic report derived from the streets of Buenos Aires. Its purpose was to define the idea of happiness.


— 190 × 520 mm

— 8 Pages

— 10 Copies

WORKSHOP

Identity for the workshop week at ECAL which comprises printed & animated poster & videos. Project in collaboration with Clément Gicquel.


CBR

Series of pattern designs for motorcycle accessories, equipment & bodywork.


— 35 Patterns

S. de BEAUVOIR

Website presenting both the life of Simone de Beauvoir and the evolution of women’s rights through the extracts of autobiography and photography archives. Typeface by Pauline Le Pape.


— Website

HURSOR

Visual identity based on typeface creation and art direction for men's cosmetics brand which specializes in beard and skin care product.


WONDERLAND

Poster announcing a Wonderland party in the High Plain Club placed in Paris.


— 1 Posters

— 100 Copies

— 841 × 1189 mm

— Digital printing

VOST

First edition of the monthly publication VOST (Version Originale Sous-Titrée). The newspaper gathers classical texts circulating around a common theme.


— 370 × 520 mm

— 16 Pages

— 10 Copies

— FR, EN & DE